That's what I said after I used the bathroom in our studio rather than going over to "San Gallo Campus" to work on photography. I have a twenty minute presentation/slide show due tomorrow, and for some reason I still haven't worked on it. I have picked a photographer, which is a good thing. Wendy Ewald. She's is pretty cool. Like Zana Briski, the Born into Brothels director/producer, but there's actually information about her.
Anyway I have so much to tell you, but for some reason I don’t like this keyboard. So typing isn’t nice.
Or maybe I don’t have a lot to say, and that’s the real problem. I guess my mind has been mostly consumed with Theme Sequence recently. I realized today that Kiki Smith and I have much more in common than I bargained for.
Oh, why aren’t you just online right now?
It’s funny. I forget what I have told you, and can’t remember what I haven’t told you. I just hmmm
Let’s see… what do you want to know? I’ve been busy, I suppose. And that makes it difficult to write to you, or post on my blog.
I saw St. Catherine of Siena’s head and thumb yesterday. The church they are in is definitely the poorest church I’ve seen here. It was huge, but just built out of plain bricks. There are shrines in the walls, and they all seem rather tacky. The stained glass in the front is definitely modern (ok, made within the past 60 years) which is interesting.
The whole experience was strange. And I was with my friends, and it was embarrassing. I say embarrassing, because it’s weird to have a head that is mummy-like, more than half a century old and sitting in a glass case. And it’s strange to light candles in front of this head, and a statue of Mary who’s halo is made from twinkle lights. And I willingly associate with these “weird” practices.
But I split from my friends for a few minutes, and knelt in front of the tabernacle, and I experienced, strangely, a sense of authenticity and calling like I haven’t experienced in Italy so far.
And I wish wish wish that you could be here, but maybe it’s better that I’m alone right now.
I’m afraid that that’s because I’m becoming something different, and I don’t know quite yet what that is. I feel like a pool of melted wax, and I don’t really have control of what form it hardens into. Maybe I don’t need to harden. Maybe I can be melted wax my whole life. Able repair broken things. Able to fill in cracks. To mould into any shape. Able to transform and adapt and warm. Able to unclog ears, able to seal letters, to put pretty designs on eggs. To batik fabric, to heal chapped lips.
I think the problem is that I want too much. I’ve been discovering this in my artwork as well. Often I get stuck on an idea, and then it kind of “hurts” to have to change it. If only there was a way to not care. But then I don’t think that would be right either. Maybe my role in life is to care and care, but not care about getting hurt. Maybe I should be malleable wax that can mould onto a surface, and harden, and then crack, and then melt again. Maybe it doesn’t matter if I’m always cracking. Maybe I should suck it up. I want to be happy, but… hm.
I feel like Jo in Little Women right now.
Sorry that all my blog entries are such downers. I really am not sad in Italy. It’s just when I pause to think about things (which happens when I write in this blog) I always end up thinking about, well…you, really. And that turns into homesickness.
I’m sorry.